workman:

paintmeblack:
Bobby West Tjupurrula

workman:

paintmeblack:

Bobby West Tjupurrula

(via thepoetryofmaterialthings)


mrdiv:

kaleida

mrdiv:

kaleida


(via Points of Contention by Jonathan Latiano » CONTEMPORIST)

darksilenceinsuburbia:

Meiro Koizumi.

Sunday At Hirohito’s (3), 2012. Acrylic on page of a book, 18 x 25.5 cm (page size).

Sunday At Hirohito’s (9), 2012. Acrylic on page of a book, 18 x 25.5 cm (page size).

The name “Sunday at Hirohito’s” is taken from the series of photos taken in December 1945 and published by the American Life Magazine in February 1946 called, “Sunday at Hirohito’s- Emperor poses for first informal pictures”. It was the first time the Japanese public saw him in daily settings. American’s purpose was to provide an image of the emperor as an ordinary person instead of a divine figure. In 1946, on January 1st, as part of a New year’s statement, he made the Humanity Declaration (Renounciation of Divinity) under American’s request. Meiro Koizumi painted anatomical images over his figure to push the concept further.


(Fonte: voodoovoodoo)


wowgreat:

Han Schuil, Blast IV, 2009-2010 Alkyd and Enamel on Aluminium, 173 x 123,8 cm, HS10 250 (via Han Schuil, Paintings / Gemälde)
via
http://www.hamishmorrison.com/assets/galleries/421/100909_04.jpg

wowgreat:

Han Schuil, Blast IV, 2009-2010 Alkyd and Enamel on Aluminium, 173 x 123,8 cm, HS10 250 (via Han Schuil, Paintings / Gemälde)

via

http://www.hamishmorrison.com/assets/galleries/421/100909_04.jpg




jesuisperdu:

gerhard richter

jesuisperdu:

gerhard richter

(via dmocba)


theglaze:

Joseph Montgomery

theglaze:

Joseph Montgomery

(via dmocba)


(via artCrush 2010 - Auction Items)

teachertots:

via All That Is Interesting

yama-bato:

Lin Yan, Rain, 2008, Xuan Paper. Courtesy of Cheryl McGinnis Gallery.

yama-bato:

Lin Yan, Rain, 2008, Xuan Paper. Courtesy of Cheryl McGinnis Gallery.



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